Synopsis

In the opening of our film will begin in a wood, with the main character walking through with a rather nervous sense to them, you soon get the idea of them being followed, before an ellipsis shows them dead on the floor, between this some of the credits are shown. Then, it flashes back to two days earlier, when she is just another girl in College, she ends up in lesson with a friend, texting under the desk, then she gets a funny text saying to 'look in her bag', she does and she finds the corpse of an animal within there, the starting sequence ends with that.

Genre Research Summary

After having researched my genre - Psychological Horror - I have been able to summarise what I have found out from my close analysis.
The titles very often are simply, a black background with white, plain writing, to give it more of a formal feel almost, very often Psychological Horrors are portrayed as reality, to add to the fear factor, many people believed The Blair Witch Project was genuine, and the Paranormal Activity films are also filmed much like a documentary, it is often shown as a slow pace, with an amateurish feel to it. The pace is slow and it usually tells us little other than the title of the film and the production companies (the amateur feel is often better if a less well known company is used).
The music is one of the most key parts in horrors itself, and especially so in psychological horrors, in Paranormal Activity, you can often tell when something is going to happen as a light bass can very slowly be felt being built up, which builds up with tension. However, in The Blair Witch Project, there is much less non-diegetic sounds all together, as it is supposed to be a documentary from a camera, so adding music would remove that feel of it. In my film, I will look at using music for the starting sequence, because it is hugely important within the genre.
Very often, the main characters are portrayed in the opening credits, and something I noticed is that very often there is a relationship within horror films itself, and even more so in my sub-genre, it is often to show the destruction of their relationship from whatever horror comes, or, it could be a beacon of hope, but that is a much rarer occurrence, as horror is meant to scare and terrify it's audience, and if whatever they're against can destroy their relationship, and leave them alone and vulnerable, what can't it do?
Generally, the mise-en-scene is set within a fairly normal place, nowhere completely out of this world(literately or not). For example, Paranormal Activity is set within a normal persons house after they begin to believe they are being haunted. I have found no generic thoughts on the costume, other than they are often fairly normal people within these films. At the start, when everything is fine (Which is usually begins at with not just my sub-genre, but with most horrors) the lighting is usually normal, and if anything a little bright, it's not until a little way into the film when the lighting all begins to change.
There is just about always use of enigma codes, it makes us ask questions, we want to know what happened, why, what is going on? In Paranormal Activity, you instantly begin to ask these questions as the strange occurrences begin to happen, you want to know what the demon wants, and what is it going to do? Just as with The Blair Witch Project, you want to know what's after them, and at the start, what's so special about this footage, why did they disappear? It doesn't tell you this, it only gives you enough detail to get your mind going.
Within psychological horrors, there is a large contrast, in some of the films there may be very quick paced, different camera angles and much editing and cinematography, however, in others, there may be no editing whatsoever, especially if its done from an amateur point of view, so you can go in either directions, I think we are going to be going in the direction of the quick paced version which goes more into the story and less about the fear coming from the fact you are unable to see anything but what the camera sees, you can't even see everything the characters can.

Target Audience

Our target audience will involve the age of 15-19 years old, as it is often a more youthful audience which will watch horrors, also, the actors will be of that age, so they can relate to the character, if we cast an older audience, it may have been best to try and involve an older audience. We will have both male and female, however, females will be targeted slightly more so, as they could relate to the main character, who is a female. We would go for a mainstream audience, as other audiences, such as rebels, aren't so much into horror films, which are very popular in today's culture, especially by the mainstream audience, which takes up most of the market. We would also include in the social classes of C1, C2 and D this is the audience that would most go to the cinema on regular occasions, the B and A classes may prefer somewhere a little more high class, also, C1, C2 and D has the most amount of people in the mainstream class, so forth, the most people who would wish to watch a horror, also the cinema attracts more of the typical, working and middle class members of society.

Film Openings - Genre Specific Analysis

'The Blair Witch Project' Opening Scene

The first opening I have chosen to analyse is the Blair Witch Project, a very renown film, many people even thought it was real, which was the basis of it, it was meant to seem completely real and authentic. It is a very short opening, which begins with 'Artisan Entertainment', not a very well known production company, and to add to the 'do it yourself' feel, it has a slightly shaky look to it, the lettering is shaking a little, as if it were done by a hand held camera or done on an old film projector, it gives us the impression that it really was a group of students that did this, and it is funded by a small company, as it'd be rare for someone such as 21st Century Fox to back a group of students. This is backed up by the next part of the opening sequence, the Haxan Films is not a very well known company either, and yet again, the simplicity of it and the shaking suggests it was made by students, not a professional company that knows what it's doing.
Once the title and 'explanation' of what was going on appeared, it was in very formal writing, a simple yet formal font and in full English Language, with only words needed to inform us. It is very much like a documentary, yet it still has that amateurish feel to it, due to the shaky nature of the words. After this, it goes straight into the film footage, so there is little else to tell, but it shows how they're going for the authentic feel, they don't tell us who the actors are, they don't tell us any costume designers, or even if there was a director, it just goes straight in, which really adds to the horror of the film (shown by many people believing it truly was real).
'The Omen' Opening Scene
Straight away, you know that The Omen is made by a higher class of Producers, the 21st Century Fox logo appears on the screen straight away, whilst in comparison to the new version of it it looks fairly dated, back then, it would have seemed new and the audience would instantly get connotations of a film with a larger budget and so forth it could quite possibly have more special effects. In similar text to 'The Blair Witch Project's, the producers names are shown afterwards, which is 'Twentieth Century-Fox' and 'Harvery Bernhard-Mace Neufeld', the second of which was not so well known, especially not back then, but it had a much more professional feel to it, the letters were perfectly still, you could tell it was professional just from that one, subtle difference. Next, the name 'Gregory Peck' is shown in large, bold lettering, Gregory Peck was one of 20th Century Fox's favourite actors between the 40s and 60s, so his name meant something, even in 1976 when this film was released, it backed up the feel that this was a large production, that such a big name was backing it. They seemed to almost be going out of the way to show off this, possibly to attract a large mainstream audience by showing off all the mainstream production companies and actors they had involved, they next showed Lee Remick, also a well known actress of her time.

Afterwards, the titles 'The Omen' appeared, with background music which already began bringing suspense to the film, it began with just music, but then a 'choir' joined in, to back up the heavy beats of the non-diegetic sounds. Also, to the right, it shows the shadowed figure of a young boy, with a crimson light behind him, and his shadow made a cross, giving connotations of religion., the dark mist behind him gave a very dark feel to it, it wasn't thought of as a good, peaceful sign, or a sign of god, it seems very sinister, the shadow is very large, almost intruding out of the screen and at you. It then goes on to name the Directors, who wrote the music, and other such titles, the Director is last, to show his importance, the music climaxes then quietens down just as the credits end and the first scene starts, the last part of the credits is showing us the place and the date, just to set the scene, this is just a way to establish the scene, not particularly part of the credits, although it keeps that simplistic, white, plain feel to the text.

Genre Moodboard

A moodboard is poster of types which contains images, texts and samples of objects which show a concept of design and to communicate ideas with other people in a rather simplistic way. It would be good to show a target audience to see their opinion upon it. They are often used by graphical designers to give the idea of the genre of what they're doing, in my example, it's about a Psychotic Horror, but it could be about anything, a music video or even a book.

First Ideas

I partnered up with Georgia in this task, we originally thought of doing a teen drama movie, but we soon decided it sounded a bit cheesy or many others would do the exact same thing, we talked and eventually came onto the idea of a psychological horror movie, like Paranormal Activity and The Blair Witch Project where the horror comes from your mind, and isn't just randomly stabbing and killing people like in so many films today.

We have began to research into this, and we are going to be looking at the film starts in more detail when we get the opportunity.

From Concept to Screen: How does the Credit Sequence from Dexter Work?

This credit sequence has a very large amount of creative ideas, which generally stems from the thought that all things, no matter how normal they seem have a violent undercurrent in some way or form. The sequence emphasises that very well. Eric Anderson, the Creative Director had an idea about crime scene's, not all blood and guts, dead bodies and weapons, etc, but more so about the feel of the photograph's felt, how it has it's own visual language, it all had a very mundane, yet sinister feel to it, which is exactly what he wanted.
As they talked about the show, etc, with the creators, Anderson was noting down ideas as they went along, he nearly instantly thought of the title sequence having the word 'Dexter' upside down, as the concept was similar to Dexter himself, the word upside down looks almost exactly the same, and that's the same with the character, he isn't all that different as a murderer, no huge change actually happened. The sequence itself emphasised this darker meaning about Dexter in a simple yet complex way, I've never seen anything like it before in the opening credits, it makes it stand out so well. It makes everything normal into something violent, cutting an egg open  to eat it seems violent, the way the sauce blurts out like a sudden spray of blood really backs up the violent imagery, however, it shows that the violent side is underneath, as the music is much more playful and bubbly in comparison to the original music chosen. It doesn't simply fixate him as an evil man and nothing else, it allows room for other things also, to show he could also be a normal person. However, it could also connote that violence could be exciting to him, and that with everything he does he wishes for it, which is why his actions seem that angry all the time, but generally, I think that everybody could see the sinister side to this. Also, when he leaves the flat/house he is wearing very normal clothes, just a plain, baby blue shirt, which doubles up the idea of him being a normal guy, but yet again, you can still tell there's something slightly not right, he has this devious look in his eyes and a somewhat sinister smirk spread across his lips, it's a fairly bright contrast to what he's wearing, which are all soft colours, nothing dark or scary.

Within the scene, there is a large amount of scenes with noir lighting and a shallow depth of field, this is used to add to the atmosphere of this piece, it focuses the light on the object we're looking at (in the picture to the right, the fruit) and the depth of field only allows us to see what he's doing, it emphasises on the violent manner of which he is doing it, the insides of the fruit gushing out like blood and guts, the crimson insides of it adding to the look of it.

Research: Analysis of the Opening of Juno

Juno is very good at it's opening sequence in many ways. It begins with her walking down a street, then, as she walks behind a tree, the whole images changes from reality to a cartoon, including her, and then the credits begin, it shows that she is almost lost stuck in her own bubble, and that the world isn't very real to her yet, she still sees it through a child's eyes. It instantly shows the first production company, 'Fox Searchlight Pictures' which is Fox's attempt at an 'indie' film production. Within moments, a non-diegetic music begins, it is a very odd song, especially for a typical teenager to be listening to, it's very bubbly and unusual, yet the lyrics say 'If I'd be a tree, you be the leaves', this hints at a romance within this bubbly, teenage world, but in a very innocent and almost naive way, connoting to me that it my be a 'coming of age' journey in this film with the help of romance. The bottle of Sunny Delight in her hand also suggests at a child-likeness to her, as it is often thought of as children who drink Sunny D.
Her clothes aren't very extravagant, and her hair is tied back into a loose knot, it shows that she isn't too bothered by her appearance, she doesn't make too much of an effort, she seems a bit of a tomboy, but she is still fairly bright and stands out in comparison to the rest of the background, which is dull and drab, even more so when in it's cartoon form.
Soon enough there is a close up of her shoes on the floor, with leaves scattered around her, the leaves are a fairly dull brown, and her shoes are very average for an American teenager, it shows that her life is rather dull and that whilst she is different to other teenagers, she isn't extraordinary in any way, just a little odd.

Soon enough she's walking down the road and in the background you can see a few people in a sports kit running past her, they don't seem to even notice her, they could possibly be the stereotypical 'jocks' America always seem to have. She doesn't seem to mind too much that they don't even notice her, conveying that she doesn't have have any real wish to join in with the trends of others, that she is her own person, which we as a society like to see in our TV and films.

Towards the end of the start up credits, she can be seen to be balancing on the curbs in a very childlike manner and being off in her own world (yet again). She seems particularly care free, despite the fact that she is soon to be going to buy a pregnancy test(as we later find out), this possibly connotes naivety, she may not understand the seriousness of the situation, the mise-en-scene - the park - adds to the thought of her being childish and rather immature still, in a loveable way, which is why this film is thought of as so great, the start up credits stands out amongst so many others, so the creators did their job very well.

Research: Key Conventions

In research of the Key conventions, we have watched several movie openings, we watched 'Search for a Mignight Kiss', 'Brick', 'London to Brighton', 'Shifty', and 'Kick Ass', as we watched we wrote notes on the conventions of an opening to help for a later date.

One of the main points of the opening credits is to introduce us to the main cast and the crew, very often including the genre of the film, for example, in Kickass the Main Character voiced over and we could see somebody attempting to be a superhero, to set in motion what the film would be about, it also shows us how the narrative may work out, that we may have a narrator at points and that it should be fairly linear, as we're starting from before he became a Superhero, we also find out about Dave, and how he explains himself it shows that he is deprived of female attention and that it is nearly constantly on his mind, it is probably the main thing he talks about in the sequence, its a key convention that the film tells us about the character, even if its something his everyday friends don't know, we will.

Obviously, there is always the 'credits' of people involved in the film, very often shown in simple text in white, to make it stand out and easy to read, it shows the Production companies, the direction, the key actor, and sometimes even editors, costume designed, etc, but this is rarer occurance.

Opening sequences can often use enigma codes, which is show in Brick to make us, the audience question what is happening, much like an ellipsis, we don't know what's happened and we want to find out, how is this girl injured?. The sequences often introduce key aspects to the characters' personality when showing the main character, in 'Brighton to London' it makes it clear just how desperate the two characters are, that the mother has to sell her body to a man just to make enough money for a train fare, it tells us about them, we will already have ideas about them.

Of course, at some stage in the title sequence there will always say the title of the film, for example, in Kickass, the camera moves to the back of the Taxi, showing the licence plate as 'Kick Ass', this introduces the film to us and in Brick it has a very simple, white lettering on a black background.

There is often some kind of non-diegetic music within the start up sequence to show the flow of the film and often helping us with the genre of the film, in an example in the film Juno, when the rather spacey, bubbly music comes on, it shows that it's probably going to have lots of light hearted moments and the lyrics hint at a romantic comedy, it influences on the main characters personality, showing us about how she might be, still rather childish inside. We wouldn't use a heavy metal song for a romantic comedy, it just wouldn't fit, it's supposed to set the scene, it'd give completely wrong ideas about what the film would be.

Main Task

We will be filming the titles and opening of a new fiction film, to last a maximum of two minutes. The main purpose is to assess our ability to plan and construct media products with use of the appropriate technical and creative skills.

 There will be a hundred marks, 20 of those marks are from the research and planning, another 20 is from the evaluation and the final 60 is from the final product.

The Research Deadline is for the 26/11/10, the Photo-Storyboard deadline is for the 3/12/10, the filming deadline for 07/01/11, the Production Deadline for the 28/01/11 and the salutation for the 11/02/11

Targets

I will need to meet these targets next time I am to do a task like this, there were several points I picked up on.

1. We didn't use a script, we made it up as we went along, next time we need to use a proper script.

2. We did not fully understand the equipment we were using, we should have found a way to turn off the fade in/out or waited a little longer so our camera angles didn't always have a white shot in them.

3. My storyboard was not very accurate, and it was worded wrong, next time it will need to be of a much better quality.

Evaluation

During this task I have learnt about continuity editing. It is a mix of camera shots and angle, edited to make the sequence seem continuous, the viewer should not notice the camera angles, if they do, then the editing or camera shots may be a little wrong. There are several key rules, you have to use a 180 degree rule, which means to keep one person must always stay on the same side of the camera shot, so if one person starts on the left side, they have to stay on the left side in the camera shots.

To take the photographs for our storyboards, we took photos using Digital SLR cameras. They were fairly simply to use, we only used picture taking and uploading the pictures to our computer, using a firewire cable. It was easy to use, much easier than I expected, I was very worried about breaking the camera somehow.

I have learnt a lot about organising filming. Mainly through our own faults, I realised we weren't very organised, we lost our script, we weren't knowledgeable about the cameras and we didn't generally plan it out very well, these were the main faults in our task.

We didn't know very much about video cameras, as is obvious by the fact we were unable to even turn off the fade in fade out feature on it. We only used the normal filming feature, on top of a tripod. We were all unsure about using it, especially after hearing it was new, we were terrified of breaking it, as with the camera.

To upload the files from the Digital Video Camera, we used Adobe OnLocation, a program which allowed us to upload each clip we needed from the tape bit by bit. Once we did that, we were able to get all the clips saved so we would be able to begin editing using Adobe Premier, which would allow us to make it all continuous.

I have learnt how to edit using the Premier software, however, due to the filming before, we weer unable to edit out the white fading without losing too much valuable footage, so we had to go with it, so we were a little taken aback, but we still continued and the final cut wasn't too bad, it wasn't brilliant, of course, but it worked. We will have a better knowledge for how to do it next time.

To get our video onto Youtube, we had to convert it's file type, which was simple enough, using Premier also when we saved it. Using blogger during this activity has helped us greatly, we were able to organise our work and put what we have done into perspective much better. We were able to present it well and it helped us well.

Post Production

The editing went fairly well, obviously, we had a few shots where we could not remove the white light, but the second half of the video was all pretty good, so we were able to edit it to a fairly decent quality, even through Georgia's terrible high five, we managed to edit out the bit where she almost fell straight from her chair in her... weird high five. The first few takes weren't' brilliant but they're the best we could get them, we would have retaken them but we were all wearing different clothes and it needed to be continuous, it would have been bad continuity if Alex had been wearing a different jacket or no jacket in the different parts. Other than these setbacks it all went well, and we all took part in the editing process.

Production

Production went fairly well, but wrong in some places, if not many. When we took out our camera to go film, we spent about fifteen minutes trying to get it all working well, the tripod and the actual camera itself, which still had a fade in and out every time we started filming, so at the start of the filming, there is occasional clips with a fade in and a fade out. It was a new camera, so even Lars was a bit unsure on how to turn it off. Also, we ended up losing the script, which was our own fault admittedly, so once we started filming, we simply did it shot by shot, which was the wrong thing to do, we should have filmed the entire sequence from one angle, then the other shot, then put them together.
So all in all, it didn't go brilliantly, but it could have gone so much worse, so we just hope it'll be up to scratch.

Pre-Production Tasks

Before we began filming, we had to do several tasks. First of all we had to do a health and safety report (a risk assessment), to explain what could happen, the chance of it happening and how bad it would be if it did happen. Afterwards we began to create a storyboard and a script for the actual piece. After being unable to think of anything else, we decided to write the script on the weather. We used a camera for our storyboard, which explained what shots we would use and generally when. We scouted out to the hall, deciding to use it as it is generally empty and fairly open. We decided to cast ourselves in it, as we were a group of three.

Continuity Editing

Continuity editing is used in most drama's or films nowadays - it is meant to make the storytelling smooth, to make sure the viewer is able to follow the story well. The viewer should be unable to notice the cuts, so the shots can simply flow together as if it were natural. The narrative has to appear logical, coherent and continuous.


Continuity editing is used to make the viewer not notice any of the editing. The rules, such as the 180 degree rule all is a part of this. If you break the 180 degree rule during filming, the audience will suddenly notice it. During the 
'Continuity' part of our Skins disk, it breaks the 180 degree rule, but then goes back to a master shot, establishing why they broke it, so it works, but generally it goes unbroken during filming.


The central elements of continuity editing involve the 180 degree rule - when two characters are facing one another they must never appear in the same half of the frame. Each time the camera cuts, they must remain in their half of the frame, otherwise the continuity of the scene will be broken. There is the match on action cut, this occurs when two pieces of footage of the same event but filmed in different ways are edited together to make them appear continuous. Next, there is the 30 degree rule. When changing the angle of the camera to film the same event you need to cut by at leas 30 degrees or you will produce a jump cut, which disrupts the flow of the narrative. There is also the eye-line match, where footage is matched to the eye line of the character. And, of course, there is the establishing shot, which simply establishes where you are and the shot reverse shot.


This is my first ever work on Photoshop, it is fairly basic, but it shows edits of Match on Action, the Shot Reverse Shot and the Eyeline Match.

Preliminary Task - Video Task

This task is a continuity task, I shall be filming and editing a character opening a door infront of them, crossing a rom and then sitting down in a chair opposite another character, they will then exchange a couple of lines of dialogue. This task shall demonstrate match on action, the shot and reverse shot and the 180-degree rule.

This is an exam board requirement, and I shall also include a cutaway and a cut in. I will ensure that these flow properly and are reasonably relevant to the conversation taking place.

Welcome

This is my first ever Blog, and I'm doing it for my Media Studies AS level at College, I'll be posting everything I do(Which I can, that is) and I will be regularly posting what has happened in Media Studies, an examiner will check it at the end of the year and then grade me, so hopefully I do well. ;)